Sigma today officially announced four new lenses (three Art lenses and one Contemporary lens) for the CP+ 2017.
- Sigma 14mm f/1.8 DG HSM Art Lens – World’s first F1.8, ultra-wide, full-frame prime lens designed for high resolution cameras; ideal for shooting architecture, astrophotography, documentary and landscapes.
- Sigma 135mm f/1.8 DG HSM Art Lens – Formidable telephoto prime with high-speed aperture; ideal for shooting weddings, concerts, events and studio/location portraiture.
- Sigma 24-70mm f/2.8 DG OS HSM Art Lens – Fast, constant-aperture zoom workhorse upgraded to the exacting standards of the high performance Sigma Art series.
- Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens – Highly versatile, lightweight and compact super zoom touting strong IQ and image stabilization.
The pricing info and release date of all these lenses will be announced later.
Sigma Unveils Four Brand New Global Vision Lenses at CP+
Sigma Corporation today announced its brand new Global Vision Art and Contemporary lenses introduced at the 2017 CP+ Camera + Photo Imaging Show in Tokyo, Japan.
Debuting the world’s first 1.8 wide-angle lens, the 14mm F1.8 Art incorporates the same groundbreaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features the largest glass mold (80mm) in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. Three lens elements are made with FLD (“F” Low Dispersion) glass, which is equivalent to calcium fluorite in performance, and four SLD (Special Low Dispersion) glass elements, which reduce chromatic aberration. In addition to the great IQ from edge to edge, the new 14mm F1.8 offers a superfast and efficient AF system.
With a minimum focus distance of 10.6 inches at 14mm, photographers can compose incredible close-up shots with expansive backgrounds.
Boasting outstanding sharpness and great IQ from edge to edge, the 135mm F1.8 Art lens enters the market as Sigma’s new premiere mid-range telephoto prime lens. Ideal for events such as concerts, indoor sports, conferences and press events, the 1.8 F-stop delivers greater “shallow depth of field” and isolation of subjects. The outstanding compression effect makes it equally as powerful for up-close and full-length portraits. Its new large hyper sonic motor (HSM) provides ample torque to the focus group for optimal speed while the acceleration sensor detects the position of the lens for compensation focus groups for factors including gravity, producing faster and more responsive AF. Equipped with a focus limiter, the 135mm F1.8 Art can be easily optimized for a variety of distances and situations.
Featuring a brand new OS and highly efficient and fast AF system, the revamped 24-70mm F2.8 Art embodies all the technical qualities and finesse that define the high-performance Sigma Global Vision Art series. Covering a wide range of shooting scenarios, the 24-70mm workhorse DNA includes three SLD (Special Low Dispersion) glass elements and four aspherical elements to reduce chromatic aberration. The 24-70mm F2.8 Art aspherical elements use Sigma’s groundbreaking thicker center glass design and highly precise polishing process, delivering stunning images and bokeh effects. The lens’ purpose-built structure boasts a new metal barrel for optimal durability with TSC composite internal moving components designed to resist thermal contraction and expansion.
Boasting outstanding reach and performance value, the new 100-400mm F5-6.3 Contemporary telephoto zoom lens offers great IQ and usability with its lightweight, compact, dust- and splash-proof design. Equipped with the newly released Sigma OS and AF, the lens provides exceptional performance at lower shutter speeds. Highly versatile, the 100-400mm F5-6.3 Contemporary also features Sigma’s unique macro function (1:3.8 ratio) for perfecting close-ups and distance shots, and push/pull focal zooming for ease of use.
The all-new four Sigma lenses supports Canon, Nikon and Sigma mounts and works with Sigma’s MC-11 Sony E-mount converter. The Nikon mounts feature the brand new electromagnetic diaphragm.